‘Of Ghosts and Gods Tour, 2016’: Kataklysm, Septic Flesh, Aborted. Manchester Soundcontrol 18-02-2016

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When a tour like this rolls round, you’d be foolish not to grab a ticket and get along to it. Two of Death Metal’s most titanic bands in the past decade or so along with another Symphonic Mediterranean based Death Metal band in a small venue which has great acoustics and is easily accessible is a night you do not want to miss out on and the fact that Aborted were on the bill sealed the deal for me.

My first encounter with Aborted and Kataklysm was back in 2007 when they played Damnation Festival 2007 up in Leeds and needless to say, it was fantastic! Since then, I have always tried to catch Aborted whenever I can and it seems like when they are in town, Kataklysm aren’t usually far behind or they play the following year.

Getting to the venue for doors at 6:30, the first stop was the merch table manned by Sven, the charismatic and commanding frontman for Aborted and after forking over some of my cash for a new shirt and then hitting the bar for Red Stripe, I was all set. I was still amazed with the fact that they were the opening act (personally, I saw them as a headliner but ah well!) but when the opening music from the film “Hellraiser” was used for their walk out, a quick look around the venue, seeing it fairly packed out for the opening act, all that went out the window – only brutality mattered.

And brutal it was. The grindcore tainted death metal slammed into you like a jackhammer and didn’t stop. Pummeling with harsh vocals, blasting drums and intense guitar and bass, everything was spot on as you would expect from the long standing five piece. Recent works such as Necrotic Manifesto and Termination Redux went down a storm with the crowd, as did the relentless onslaught of brutal riffery and sublime lead work but the most well received part was the talk of a new album either coming in April, or work beginning on it in April. Either way, I am eagerly anticipating this.

Up next after a brief changeover were Greece’s Septic Flesh. Greece has a rich history for extreme metal bands, the most notable riding the wave of interest being Rotting Christ and a lot of people were eagerly anticipating this act.

Opening up their set, you could tell the symphonic element was a key component to their sound as it really augmented the death metal beneath it. With a grand feel about them and a decent tone too, they delivered the goods. I don’t know much about them so I cannot really say which tracks went down a storm and so on, but the crowd loved it. Interacting well with the crowd, the frontman had a good stage presence and the music was filled with blasts and solid death metal grooves under the dramatic and sinister symphonic overtures, the latter of which I found enjoyable and found myself wondering if a venue with better suited acoustics to this kind of music would make them sound phenomenal. Their final song, “Prometheus” really sparked the crowd after the dedication to the bands and those in attendance and it did have a real epic feel to it and maybe it may be worth investigating this group more, but to me, as good as they were in the live setting, they didn’t sit right on the bill for me and personally, I feel they should have opened.

With those down and more booze in me, it was time for the headliners. Kataklysm, hailing from the United States of Canada (according to Septic Flesh’s frontman) are a band who really need no introduction.

From the off, the solid groove driven brutal death metal hit hard and didn’t relent in the slightest. Tight and precise, it was excellently delivered and the band the majority of those in attendance were there to see were received as expected. Breaching the Asylum opened the proceedings and from there, it just rolled through. With tracks spanning their discography for the most part, there wasn’t a song which wasn’t happily lapped up. Rarely played Open Scar’s went down a storm whilst crowd favorite Crippled and Broken tore the place a new one setting up an encore of Iron Will and Elevate to round off a storming live performance.

By the end of the night I was a bit bruised but not as crippled and broken as I would have expected to be, but one can only put that down to Aborted opening the show and not closing it!

The ‘Of Ghosts And Gods Tour’ is one of those special tours which comes by every now and then and it is well worth trying to catch it, after all, where else can you find three of the most in form Death Metal bands of the moment on the same bill? Symphonic, Groove, pounding, brutal… It was an enjoyable night for all who went!

(Fraggle)

Aborted – “Termination Redux” (Century Media)

635826745208491354Death Metal is such a diverse genre which slips into so many other genres with relative ease but also has its own unique sound and feel. Whether it is brutal, traditional, USDM, UKDM, Melodic Death Metal or doom, black, grind or gore tinted, it has that signature intensity which sets it apart and currently, none seem to shine brighter than Belgium’s own Aborted.

I first discovered this band back in 2007 when they played Damnation Festival 2007 along with Kataklysm and strangely enough, nine years later, the two are touring once again! The Belgian five piece are uncompromising in their approach, laying waste with harsh vocals which are barked or guttrally smashed into you whilst the precise rhythm unit of the band lock everything down to lay a solid foundation for some real phenomenally heavy and brutal riff work. In all, its a band who after 20 years in existence, seem to have reached that point where it comes so easy to them. As a taster for what is to come and to celebrate 20 years in the DM scene, Aborted release Termination Redux, a short EP with all new brutal material. Are you ready for some blast beats?

Opening up with “Liberate Me Ex Infernus”, we have the usual introduction setting short sample intro track which sets the scene. With distorted voices and a sinister atmosphere, it would have served better just being a part of the track it leads into, but nevermind, it does the job well enough and as “Termination Redux” explodes into life, it is time to experience the full fury of Aborted. Opening up with a sheer wall of force, hitting like a sledgehammer to the skull, the blasting drums with evil sounding guitars crush all in their path with no remosre. The verse speeds things up significantly, the harshly delivered vocals create a maelstrom of chaos as they tear ahead and the delivery is just spot on. Precise rhythms, effortless blasting and brutal feeling riffery, its exactly what you expect from the band. Round the 2 minute mark, things take a sinister turn with a real malevolent sound and feel – a big breakdown section with haunting clean melodic lines over harsh vocals and a slower pace which brings a sense of unease. This slips into a fluid and flowing technical solo which in turn leads to a massive vocal roar which signals the return of the maelstrom , ending the track with an explosion of brutal proportions.

“Vestial Disfigurement Upon The Sacred Chantry” is furious from the off. The relentless blasting of the drums with intricate and pounding guitar riffs played at a rapid pace cuts through with little fuss or care for what is in its way and the venom in the vocal delivery is magnificent. With a wild and chaotic feel, it is unbelievably intense and heavy and that is just the opening minute! It slows slightly into a more controlled section which has a real thunderous feel to it and the guttral vocal stylings begin to rear their head once again, adding to the intense atmosphere. Speeding up again, the twisting, harmonic laden riffs up the frantic feel as they squeal out clearly between blasts and chugs and overall it has a fantastic no nonsense death metal groove to it.

“Bound In Acrimony” is another full force, relentless sonic assault with some serious power in it. The blistering pace from the off, provided by the furious blasting on the drums gives a real tightly controlled groove with an intense delivery. It doesn’t let up, from the thundering bass to the buzzing guitars and machine gun like drums, it just keeps on going, letting nothing get in its way, making for what could be a spectacular track in the live setting just for the sheer ferocity of it! Closing the EP is “The Holocaust Reincarnate”. Possibly the heaviest and most intense track on this short EP, the closing number has it all. Pounding bass which brings a heavy as fuck quality to the sound, really letting the low end thunder through whilst the buzzing guitars and drums bring the pace. Slipping into a full on audio-assault of death metal, the precise and rapid-fire groove just steamrollers everything in its path. Like a madman on PCP charging through the streets, shrugging off tasers and gunshots, the venomous delivery of the track pulls no punches and takes no shit! Even when it slows down with an ominous sounding breakdown, it has a full on headbang feel with plenty of slam styled riffs to keep the intensity going, occasionally broken up by sporadic bursts of pace and rapid riffery, leading into a technically sound solo over the controlled brutality to draw it to a close.

Overall, this isn’t just a stop-gap release. This is a signal of intent, a statement, something to show what 20 years of brutal and technical death metal can lead to. Termination Redux is a taste of what Aborted plan to bring to the table with their next full length release. Uncompromising, taking no prisoners and demonstrating why they are shown so much respect and admiration, Aborted have delivered once again. In roughly 15 minutes, the brutal Belgians have got 2016 off with a blastbeat and the coming tour with Kataklysm promises so much.

(8/10 Fraggle)

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